November 10, 2014 – A Dance Weekend
My weekend was filled with dance, but Elliott didn’t feel
much like dancing this weekend. The
problem wasn’t shingles, but back pain, a very intense pain that has been
plaguing him more than it usually does.
Even his strong painkillers don’t seem to provide relief. Elliott doesn’t complain very often, but I
can see his grimaces and hear his groans.
This prolonged pain is wearing down his spirit and keeping him less
active, which, in turn, makes him weaker.
However, it didn’t prevent him from working on the downstairs renovation
project. Now that the floor is finished, we're ready to paint. So he directed the boxing up of
the contents of the closets. In the
process, we came across some real treasures, such as Elliott’s old painting
box, purchased from Sennelier, the art supply store in Paris, when he was
living there in the 1950s.
Elliott offered his old paint box to Marshall. |
In addition,
Elliott managed to measure every wall and ceiling on the lower level – twice – in
order to calculate how many gallons of paint we’ll need.
And his pain didn’t keep him from making at least two paint-related trips
to Home Depot in the past few days. Now
that we’ve selected the shade of white, we just need to find someone to do the actual
work.
For me, this weekend revolved around dance. I had invited Elisa, a former dancer (9 years
of ballet and 4 years on the high school precision dance team), to join me for
two very special performances. The first
was a Friday evening performance by the Martha Graham Dance Company at
GMU. Of course Martha Graham’s name is
well-known, but until I took Dance Appreciation this past summer, I didn’t know
anything at all about her signature style – angular, emotionally intense – and
I had little appreciation for how she revolutionized modern dance and
influenced a whole generation of choreographers. I was hoping to be transported, but while the
performance was interesting, it didn’t affect me strongly.
However, the second performance of the weekend exceeded all
of my expectations. This was Little Dancer, a new musical making its
world premiere at the Kennedy Center. The
show was inspired by the story of the young ballet dancer who posed for Degas’ famous
sculpture in the late 1800s. The
original wax cast of the statue is in the collection of the National Gallery
Art. From beginning to end, Little Dancer was a thrilling, riveting,
dynamic piece of theatrical art. It was
beautifully conceived, staged (down to the very last detail) and performed. Directed by Tony Award winner Susan Stroman,
the show featured an immensely talented cast, including top Broadway singers
and actors, and one of the principal dancers from the New York City Ballet in
the title role. After the final curtain
went down, Elisa and I left the Kennedy Center with a feeling of elation that
lasted for hours afterwards.
On the Kennedy Center terrace after the show |
Mmmm, pizza rustica at Campono - it's worth all the calories |
Of course, there’s more to life than dance. On the food front, we dined out (that
fabulous Rustica pizza at Campono before the Kennedy Center show) and cooked
together (garlic shrimp, broccoli rabe, roasted beets with goat cheese and
pistachios, pumpkin muffins). We also
planned the menu for the first of the season’s annual carb fests, i.e.
Thanksgiving. So far, the menu includes roasted
turkey breast (for the carnivores), New England cod (for the pescatarians),
Elliott’s favorite mashed potatoes with herbed goat cheese, Matt’s preferred sweet
potato oven-fries, everyone’s favorite casserole of cornbread-veggie stuffing, Elisa’s
favorite green beans with miso-mustard sauce, my favorite raw
cranberry-apple-orange relish, and at least two kinds of pie – I’m sure the
Pilgrims enjoyed chocolate cream pie back in 1621 in Plymouth.
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